for mimi music, komplexx (poolside recordings / silhouette noir) has delivered a melodic techno / progressive crossover. this moody tune is deep yet melodious and builds beautifully. it’s just one of those tracks that works, with its genre-crossing coolness and excellent production. the remix is provided by our lovely house-specialist sascha dive (deep vibes, cocoon, raum). the german master turns the original into a brooding techno affair which is driven by thumping bass and sparse percussive elements. the remix keeps building until there’s nowhere left to hide, turning the track into an absolute floorfiller!

elephant moon continues its steady schedule of releases with a brand new ep from label owner john dimas and danish talent samuel andre madsen (aka s.a.m). on this fresh new release we re treated to two tracks from monsieur dimas and two from s.a.m. to open we have a quirky little space jam called moon patrol by john dimas. it has chunky percussion at its foundation with off-key chimes and cosmic pads giving it an interstellar feel. samuel s reshaped for moonwalk mix puts john s mix on a diet, making it far lighter and focusing on the ethereal elements turning it into a sweet galactic ditty. on the flip we get a sombre bossa nova ride from s.a.m., all jazzy with a grooving bassline and galloping beats. its a cool, laid back riddim from the dane and were sure youll love it. john dimas gives the track his own monday mix, bringing the tempo down even more and crafting a delicate heady rework.

already drawing comparisons to artists like kaytranada and pomo, french producer and multi-instrumentalist jean tonique gets set to become one of the most hyped artists in 2015 with the release of his second ep through yuksek’s partyfine label on 30th march 2015. drawing influences from 70s funk, jean tonique makes an effort to distance himself from genre-defining elements while approaching his music from an organic and raw songwriting perspective. using elements from hip hop, house, and 70s/80s funk, the multifaceted producer likes to draw people in with the malleable dynamics of his music. after remixes of lana del rey, outkast, the kooks and many more, jean tonique has broken into the online market through being a regular fixture on hype machine’s top 10 and growing recognition from media outlets. now, growing on his french electronic music notoriety, jean tonique is preparing to expand his presence with the physical release of the you ep - bringing that old school, happy vibe that made us fall in love withfunky house

limited edition 12 inch hybrid disk (one sided picture disk)
the third edition of figure’s recently launched run of limited edition hybrid discs sees the label head helping a 90’ies classic to new glory. when originally released in 1995, ian pooley’s celtic cross destroyed clubs everywhere with its iconic vocal sample and hypnotic bass bleeps. len faki’s remix treatment is a sublte one, which manages to leave most of the original’s elements in tact while still expanding upon its fiercely banging character

for their resopal debut, the italian duo metrophonique have delivered a trio of tracks that have a bunch of techno elements at their core. -high fidelity- brings together raw, jackin funk with a warm, driving bass line and scything, techy stabs while -something wrong- matches its fun, bouncy groove with an infectious and spritely melody. -deep- comes heavy with the oldskool, delivering a bed of beats and samples beneath the very heaviest of techno kicks.

the first truelovesounds vinyl is coming from our very own artists meffert & sannikow. the -hill ep- is an elegant mixture of trippy and spacey elements that shape this ep into a solid microhouse production. by choosing arapu as a remixer he not only manages to lay his signature in -konstabler hill- he also acquires a distinctive form and groove to the track.

ashworth concentrates on the essence of solid techno in his first full ep for made of concrete. inspired by the main component of concrete itself, the material is intitled ‘portland’ and consists of no less than four original tracks. “world” makes for a gentle introduction by opening with a soft melodic lead, swiftly changing the tempo after a few measures. we’re quickly immersed in a syncopated bassline peppered with whirring synths that harmonise with full scale piano cuts, the most intriguing earworm on the entire cut. on “launch” the producer lays down hard hitting techno drums from the get-go, setting the foundation for a tense atmosphere. ashworth’s signature move quickly ensues, as he manages to inject emotion through synths and piano pads into an otherwise tense and anxiety-ridden ambiance. toning down the graveness of the previous tracks’ mood, ”mineral” reveals a surrendering groove, with a stripped down, minimalist approach, where the melody is assembled with the help of industrial elements, emotive bleeps and electric glitches. ashworth’s experimental edge is evident in the final track “scatter” - the sub bass lead creates a morose atmosphere paired with low-key synths and mechanical loops. while the first two tracks showcase ashworth’s ability to instill life into solemn techno soundscapes, the second half of the ep successfully exhibits his edgy experimental side, adding up to a heterogenous release.

here comes another release by echologist aka brendon moeller. brendon did several releases over the year and here comes the next bomb!! these tracks were recorded in autumn of 2016 in brendon’s home studio that is conveniently located in the basement of his home in upstate new york. the tracks were made using a combination of hardware and software. the protocol, well, sync all machines via midi and cv and then jam. once a jam seems to take on a form he multitrack record all elements in ableton and then create a final arrangement and mix down.

for our 50th release on delusions of grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing dog artists and veritable newcomers alike. kicking off part one we have rush hour regular nebraska who manages to successfully combine elements of wait for it... trance and broken beat into an altogether more exciting and amazing way than that actually sounds on paper. organic, sampled drums with plenty of grit and dirt lay down a groove whilst spacey synth arps and an almighty break (in a subtle way) make this something of an epic which all of us here have fallen for in a big way.

limited to 320 copies vinyl edition.
over the years of their creativity, nesmeyana have developed their own distinctive “horror-trash-synth-pop” style, occasionally blending it with elements of musique concrete and post industrial noises. notable russian media and critics defined it as “red disco”, which now not only refers to nesmeyana’s musical heritage but also to a blooming homonymous community residing on the russian facebook-alike social platform vk.com, currently consisting of nearly 10k music lovers and dedicated to lost soviet “cooperative disco” artifacts.
with their debut album &#1065,,,,,&#1072,,,,,&#1089,,,,, &#1090,,,,,&#1099,,,,, &#1085,,,,,&#1077,,,,, &#1079,,,,,&#1074,,,,,&#1086,,,,,&#1085,,,,,&#1080,,,,,&#1096,,,,,&#1100,,,,, (now you don’t call) nesmeyana begin a horror journey through the dark decades of 80’s and 90’s exposing the most troubled themes of soviet union’s “post-perestroika” period — premature deaths of aids and drug addiction, afghanistan war victims brought home in coffins, devastated industrial landscapes where often rape & murder takes place, this album tells us some unpleasant but quite realistic stories which may have indeed happened in the past.

midgar is very happy to deliver a new release by wata igarashi! anticipated since few weeks already, ciphers ep is a rich assemblage of deep sonic excursions showing throughout a strong coexistence of organic and virtual elements.

undersound recordings is back with its second release, this time with an ep from berlin based producer etienne. all tracks are characterized by an analogue, simplistic, yet intriguing touch of the artist. dez is a straight 4/4 hypnotic groove, with an articulated bass line taking centre stage shortly after the beginning of the track. dez remix is a seminal track composed by tc80, warm sounds from the start, experimental yet dynamic percussions, perfectly complementing the original track r3mote is the most uplifting track of the release, floor killer, characterised by broken beats and a playful ever evolving melody sensed is deep, electro-infused, introspective. the track is a crescendo of trippy sounds, a vortex marked by retro elements, hypnotic but ever engaging.

liberation technologies continue to work with innovative artists and encourage experimental and challenging perspectives in modern electronic music, welcoming newcomer hex with their latest release. hex is comprised of london based artists charlie noon & tom field. drawing influence from and exploring the outer realms of techno, experimental, rave and grime they breathe new energy into the dance floor. their spacious sound design fuses unfamiliar sound elements and building waves of melody with blistering percussion and kinetic soundscape.

visuals will debut on thesongsays with his beautifully well-rounded novella of an ep, the state of things. the label has long focused on the romantic and conceptual currents of dance music and visuals joins the tight-knit roster with three stunning songs that perfectly fit the thesongsays ethos while bringing together the diverse elements of his musical background.

fox tooth was one of the big releases of 2015 on local talk. if you haven t heard it you probably dont remember 2015 at all! all we did was play fox tooth. now, a year later we re proud to present the fox tooth remixes. karizma aka kaytronik gets straight to the point, strips down the original and tensely builds the track slowly, keeping the groove on the bone. on the flip, peacy offers a remix with all the elements of the original, perfectly combined with a few tricks of his own, in a stunning new combination, it sure impresses.

early support from raresh, akufen, and jan krueger, next up on sol asylum is non other than julie marghilano with her innerspace ep. taking the listener to another dimension of sound, she brings her range of musical knowledge to create a solid package with a stunning remix from fred p. starting things off on a analog journey with “innerspace” we move through an interstellar universe with detailed grooves full of percussive splatters and echoing synths that moves us into a dream like state of mind. conjuring the jazz planet in berlin with“katzbachjazz”you are immediately transported to a galaxy of sound with galloping percussion and a classic techno layout. using more 909 techno drum elements she creates a whirlwind of sound with a delicate touch. taking things a little bit deeper with “cosmic karma” she presents a heavily detailed drum structure full of violin experimentation that creates a dark atmosphere but still bringing an uplifting and joyous vibe. finishing off the package is something unique from fred p who julie asked to remix for her due to her enormous respect for him. the emotionally charged remix of“cosmic karma” shows a different side of fred p while still keeping his signature sound in tact. the remix takes us through an ever-evolving voyage through time and space.

very nice patrick adams & billy nichols produced boogie tune. original copies are very rare! huge record!
while being a rare patrick adams and billy nichols production, mary clark’s “take me i’m yours” has in recent years become one of the most celebrated disco tracks by contemporary deejays. this borderline gospel-disco gem has all the elements of a timeless disco cut, a driving bass line, powefully arranged strings and horns, but most importantly, a very soulful performance by mary clark. like many of peter brown’s “affliate” labels, little is known about them or the artists recorded. originaly released in 1980 on ‘la shawn’, it is rumored to have been no more than 200 records originally pressed, making this one of the most sought 12 inches among collectors.

the fifth release on voitax takes you on a journey into a field of distorted beats, rhythmic noise sounds and industrial and ambient influenced elements. fasten the belt.

ltd to 300 copies
das komplex emerged from thin air last year with a series of tasteful 12 s that piqued ears from producer peers and vinyl seekers alike. near me , the latest offering from the polish impresario s coastal collection of body movers and mind melters, is a warmly welcomed fit for young adults 10th release. openwork socks kicks off the festivities with a sultry slab of machine music for soft humans. while tortuous thoughts dusts off the flutes, strings and soulful vocal samples for an all out disco-boogie jam that will fill floors with ease. the title track, near me, tips its cap to kraut and liquid liquid backbone elements as it chugs its way into a squelching 12-minute opus. finally pralina pounces on its way out with dubbed-out funk licks and slick phase shifts.

after the part iii, the part iv of habitat series focuses all the energies on the next 4 track project where matrixxman, mental resonance, benjamin mull and christian lisco are the protagonist of this highly flammable ep. dark, acid, futuristic and rough elements blend together into something incredibly harmonious.

after two eps on l.i.e.s. voiski heads east making his debut on the cccp sub-label. we are treated to classic voiski material here- all the elements he excelled at on his previous efforts all present-massive drum programming, huge basslines and epic builds carry the songs along. 100 percent guaranteed club approved and essential for any voiski fan.

we kick off the ep with the original mix that consists of the use of dulcet tones & floating synthetic elements. next, classic house legend brett johnson delivers a floor banger with his groundbreaking remix. and to end, pioneer arthur oskan takes a depth dive into creepy late night space.

way back in 1996, at the height of the widely acknowledged golden period for electronic music, d-saw a.k.a andré winter released a true classic on hamburgs highly influential superstition label. track 10:30 stood the test of time, becoming widely regarded as a key moment in european techno music history, despite its modest impact at the time. now, 20 years later, andré revisits the source material courtesy of some killer remixes on oliver huntemanns senso imprint. hamburg’s own h.o.s.h. (holger behn) delivers an epic twist to the cut, widening out the spaces and adding his own techy signature to the original. re.you offer up another flavour altogether, maintaining the iconic synth pulse of the source but introducing an infectious, driving groove. dubspeeka throw a bit more grit in into proceedings with a tough, machine funk mix, while andre winter himself reworks his classic into a slow burning groover that effortlessly showcases the elements that make this track so timeless.

fresh from their remix of jinx *car full of herbs*, bristol/london bass specialists vinyl junkie & sanxion return to asbo records alongside legendary reggae singer bushman with *talk too much*. things get busy from the start on the original dnb version, a tightly packed and weighty amen break welcomes in bushmans thoughtful melodic vocals with dubwise horns and instrumentation recreating that timeless reggae vibe at 170bpm with snatches of bleeps and pads that hint at vinyl junkie & sanxions oldskool hardcore/jungle history. dj westy on the remix fattens things up bringing the bass to the front for a real sound system smasher. the 140 remix retains the main elements of the original with added dirty bass and half time drops perfect for festival season, guaranteed to be a crowd pleaser for fans of breaks reggae and that early rave sound.

mark e last delivered on futureboogie back in november 2014, so it’s a welcome return to the label for the birmingham based dj & producer. with his merc imprint running on full steam, and previous releases on revered labels like spectral sound and running back, mark is becoming an ever dependent exponent of the real and raw house music vibe, and no more so than on the basement trax ep. basement trax 1, distorted synths wander over a low-slung beat, the marching hi-hats and filter work are tweaked to perfection. it’s a track of basic elements, but done so well, the arrangement building steadily and bags of warmth and soul deep at the heart of this track. the gnarly bass and classic string sounds of basement trax 2 make an ideal companion piece to the a side. delivered in the finest wild-pitch tradition, the raw sounding production packs a punch as the stomping drums and repetitive keys ramp up the heat for a real blazer of an underground club cut.

on soma ep warszaw based duo mech installs four tracks in the cryptic reduced style of thomas brinkmann’s max/ernst series. the guys deliver an audio work production on resopal that hovers among forms such as techno, minimalism, and ambient. on all four tracks the elements are limited but the output bounces and rattles within - moving and exploring into more experimental zones of minimalism like plastikman, brinkmann, or former mille plateaux. a damn solid four tracker whether you know the math or not.

heard on “melancholia” are interpretations of honzo’s subconscious visions of life. the intense compositions are made up of drones, noises and distorted beats moving in and out of the frame. on opener “orientalism” said elements blend with hi-hat brushes, brassy synth pads, sci-fi noises and distant human voices evoking islam’s “adhan” (call to prayer). the theme contemplates over alienation caused by western accounts of “orientalism”, soaked in “hüzün” (the turkish term for melancholia). on a2 a rework of “moral masochism” is provided by the mysterious shadows outfit, starting with a distorted guitar over a slow and gritty rhythmic backbone which gradually turns into a chaotic high-intensity acid jam on the ep’s most dance floor suitable cut. on the flipside, “lovesickness” presents a broken kick rhythm periodically flipped by toms and accompanied by a disorienting hi-hat rhythm, ghostly strings and sporadic human moans – all resulting in a tribal mood, recalling a ceremony, perhaps a quest for a saviour from the blue temper? b2 presents the “moral masochism” original. again a distorted guitar plays over a slow rhythm, but compared to the remix, the original’s intensity is introverted, contemplating over melancholia’s effect of deriving gratification from self-inflicted moral humiliation. ambient closer “emptiness” explores a cold state with such an encapsulating airiness that it feels like a close account of another person’s mood down to the impression of their breath. arpeggiated synth noises appear from a distance representing increasing pressure from the outside world without ever suppressing the state of mind. as a result, “emptiness” sums up the state of melancholia experienced as a mood rather than the effect of a cause.

the italian serves up 4 tracks of analogue proto-techno. the style can be defined as techno of an esoteric nature with elements from 90’s warehouse material mixed with vhs horror movie aesthetics. moans, groans, whips and desire can be felt throughout the record with a lustful theme running throughout. violet poison s trademark post-punk aesthetic and industrialism are in fine form for 007 with shades of rhythmic noise, experimental dark ambient and power electronics. full printed sleeves.

spencer parker returns to radio slaves rekids imprint for two stripped back cuts in the second instalment of ‘no more silly club songs this february. the work them records founder and rekids regular dropped the first four track package last summer, which was a series of tools produced with parkers own dj sets in mind. vol.2 initiates with robust kicks and shuffling hats in silly club song no.5 whilst charismatic chords operate amongst drum rolls and a vocal crying out dance. on the other hand, no.6 follows a similar muscular aesthetic yet incorporates a reese inspired bassline as percussive elements rattle throughout. supported by radio slave, rodhad, dj rolando, marcel dettman, ben sims, mr.g amongst others.

a new year brings with it a new anoma. our third aural artifact is crafted by multi-faceted artisan radiq and features the vivacious vocals of do mi. the japanese artists composition hovers in the ether between jazz and electronic music and is coaxed through the scales in radiant fashion by miss mi. the groove and sonic elation of side a s used world propel the listener to a luscious cloud where you float on the voice to a destination unknown. follow-up track sugar roads is a saucy adventure down a brazen path that twists and turns with rhythm and a touch of vulnerable desire. etched onto the b-side is a drum-heavy statement enveloped in rich phonic elements and bolstered by a spectacular keys performance. raza bounces headstrong into an effervescent dome of glee, guided by the whisper of spoken words. laucolos colourful splash -verts- is the leaf-like mural that shrouds the 12inch vinyl treat.

for its seventh installment paragram welcomes two east european talents, rabotnic and crihan. bez tapok is a deep exploration into dark immersive soundscapes and multi-layered experimental sounds. each track is a representation of the artists personal take on finely crafted grooves and sound designed elements.

two hypnotic tracks, both trademarked by deep elements and strongly pervaded with a dub flavour, which turns more and more into a gentle bass drum are now added to our precious collection of love songs for dragons. pfr002 signed alpi

the evening wind carries the sound of distant music. raindrops running down the window like glistening pearls. those small moments, unimposing yet so intense and unforgettable. its this kind of moments that makes the sound of dolph stand out. the pounding heaviness of the kickdrum and the sharp smack of the clap might be omnipresent – but its not these rhythmic elements that make the magic happen. rather, its those small moments of understatement: dubby delays, whirling through the air like leaves. long filter modulations, morphing through the soundscape like wafts of fog. colourful harmonies, popping up like sudden flowers. a 10 inch vinyl comes with the mellow stimulation named free of thoughts as well as x, a collaboration by dolph and levolt.

this is a city of contradicting systems and clashing elements. its morphology becomes a direct representation of a poly-rhythmic frenzy, avoiding any attempt of crystallization into a single entity. hi hats become columns, snares turn into repeating arcades and drum kicks form encompassing volumes. this is the architecture of the absurd, where reality as a single vision is no longer possible. as music helps us escape our bound dimension through obsessive repetitions, this city wants to be a materialization of this transcendental power.

inoue shirabe is no newcomer for those who have been following antinotes releases last year. with function spring / gravitation of acidtree, his third release on the parisian imprint, the okayamas producer delivers what may be his two most sophisticated tracks so far. with function spring, inoue shirabe continues to investigate the subtle equilibrium between opposite feelings of sadness and joy that he successfully reached on down into the black church, on his previous 12inch. this time, the japanese producer uses celestial elements (bells, an organ in the distance that we can hear punctually) to counterbalance the roughness of the rhythmical section, in order to plunge the listener into a profound state of meditation.

monoloc makes his debut on hotflush recordings, the labels first release of 2016. following a recent single on innervisions and an appearance on life & death, his latest offering another thing marks a departure into more atmospheric soundscapes. the murky grandeur of the title track lends itself to moody textures that build in narrative, walking a knife-edge between ndustrial techno and minimalist dub. trysome conjures the setting of a dilapidated warehouse rave at 5am, while makeless, with its low-slung percussive elements draped over misty pads and imposing bass, draws the listener further into monolocs wormhole.

mothball record starts its 2016 release schedule with a bang by releasing their first lp. originally produced in a tiny edition of only 100 copies back in 87, this dark masterpiece from prolific italian artist deca finally appears as an official reissue on mothball (in collaboration with bordello a parigi) remastered from the original tapes. -synthetic lips- is an absolutely diverse album spanning industrial, synth-pop, ambient and even elements of new age...some tracks will hit immediately and others will reward repeated listening.

h-productions proudly presents >premonitions< by cari lekebusch. this is the third release in the full color spectrum serie, that is aiming to result in 9 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary elements, breaks or changes. thus giving the dj more freedom to play around during the blending. and the sound pictures have intentionally been tuned while having the various h-productions releases in mind, that came out around 1993-1997.

debut release represents raw, emotive expressions that work both on large systems or on a solitary midnight drive. with tinges of acid, dub and classic gear sounds, the sweaty fingers ep perfectly frames the artists and our labels musical interpretations. the remix by bostonian john barera provides a super heady 909 stomper while keeping the atmospheric elements of the original.

p2s is back with a new project of hip-hop / breakbeat / scratches / accapella!

let, the young but already assured label from the amsterdam based party crew presents their next release from close friend, robin kampschoer. he previously released music on studio soulrock and redevice, and it is hypnotic, deep and painstakingly produced stuff that makes maximum impact with minimum effort. his first productions for the label come with a remix from none other than detroit s luke hess. serene and blissful rollers that will take any dance floor to a higher mental plane.

the new techno bomb on delude records vinyl comes from the new producer guy maik davis. the release contains the original mix of tension, a great techno bomb with fantastic arrangements and elements of electronic music. the remixes are from mike wall, the owner of the berlin based techno label wall music and marco trom, a new young producer guy from munich. the 3rd remix is produced by stevie wilson, a scottish dj and producer legend of the newer days.

van bonn presents on his new ep pluto dedicated techno music with a dubby edge. every tune of the ep points and reflects a different situation of the night. the eponymous opener pluto delivers a powerful groove full of drive, massive chords and sirens to thrill the air. twisted elements spice the dubby elements that melt into a massive break. 2650 pleases with a forward driving groove and modulated chord stabs. the massive bass goes hand in hand with the overall positive vibe created by subtle shifts of the harmony to round off an evolving tune that points on the dancefloor. the two heroes brendon moeller and eric cloutier remixed van bonn s original mixes. it needs to be said that it is amazing to welcome these two artists on this ep with their fantastic reshapes. brendon moeller remixed pluto and presents a stripped down, groovy and dubby affair that fathoms the wideness and depths of the original mix. brendon moeller s remix proves again that less is sometimes more. techno dub at its best. eric cloutier s remix of 2650 rounds off the ep with a gentle and deep driving dub house vibe. it is presented in the stripped down eric cloutier sound . full of details and little changes does eric cloutier s remix tickle your eardrum that makes you long for the next neverending open air session. but don t forget to go home.

endlec is a project already appeared on label as mord, authentic pew and panel trax. he came on the old and youngs family with a powerful ep composed by three tracks that cross 90s rave sound and new dark techno. dirty vocal samples and acid lines are the elements that describe the release. in few words... this is techno!

seeking for the gentleness of subtle tones of feminine voices, i immerse myself in (tantara). the hum of a nameless track of extensive progression, from small changes i create an tmosphere based on a tacit kick snap.....that is appeased by a surrounding endless pad, elements that combine to create this work...

limited to 500 lp+download card. chief and deheb join forces to bring you leaf, a full-length instrumental album showcasing the seamless result of two deft beatmakers merging their individual signatures into a unified craft. both artists each have a long history in beat-making, chief and deheb have worked alongside but never together, and to share a task thats usually tackled by one seemed like a challenge and a new thrill to the two. the use of samples taken from original brazilian music in the two producers collections was the starting point for the creation of leaf

wake up! records is proud to announce rise and fall, the debut ep by ian oakley, a new talent from toronto. skewing acid-tinged house with languid, lopsided grooves, rise and fall weaves a mix of dubbed-out elements into a unique, intuitive whole. “thumbs” evokes a liminal space perfectly suited for late night cruises and hypnotized foors. “rise and fall” stays true to its name, a slippery bassline ebbing and fowing against a elegantly mellow beat. on the b-side, “bug jam” indulges oakley’s electro side, while label co-owner benjamin brunn remixes “rise and fall,” reimagining the original as a spacious, kosmiche slow burner. rise and fall is a confdent debut, as potent in headphones as on the decks and a welcome edition to the growing wake up! catalogue.

resopal-schallware records, known for its persistent pursuit of quality jams, unleashes the playa ep by santo domingo resident ernesto paredano. he’s an artist in the truest sense of the word who creates his own sound, his own expansive dynamic at the same time- the a-side contains the track yuca which features a surge of delayed bass lines and crispy static rises from below and echoes swoop and simmer. the 4/4 structure is infused with far-off blips and the dusty sizzles of low-pitched vocals. on „atea- warm tech keeps the sound organic while the other elements pull together around its weight before culminating. the three tracks on the playa ep could be classified as deep techno, but with enough power, groove and melody to set afire the dancefloor.

welcome to the new output of huehelix. for our 4th vinyl release, tomohiko sagae represents his interpretation of huehelix along with an awesome makaton blood alone mix. tomohiko mixes several elements up including: dark, dirty, strong, harsh, distorted, funky, rocking aspects. no matter what bpm you play, all tracks keep the unique groove and atmosphere that only tomohiko can create. makaton completely reconstructs abducted to make it extraordinary crazy. stay tuned for the next vinyl releases, you won t be disappointed.